Blue was only the beginning. The print still had more to reveal through water, chemistry, and time. When blue no longer felt enough Right after returning from the UK and making my first cyanotype prints in India, I was eager to explore every possible variation within the process. The blue itself fascinated me. Watching an image emerge slowly through chemistry, ultraviolet light, water, and time already felt transformative. Yet during my workshops in the UK, I also briefly enc

Before I understood cyanotype, blue was just a colour. Now, it feels like a memory slowly appearing on paper. When the photograph still felt unfinished There came a point in my photographic journey when I realized that making the image was not enough. I was developing my films, scanning them carefully, and spending time understanding the negatives. Yet, even after all of that, it felt incomplete. The photograph still existed behind a screen, distant from the physicality I had

Some places ask you to come back — not for what they show, but for what you become each time you stand there again. Here are ten reasons why I return to the places I visited.

There’s a strange calm in knowing that you won’t see what you’ve made until much later. Here's my reflection on slowing down to see again — through the grain, the wait, and the wonder of film. When certainty felt too easy For more than a decade, I lived comfortably in the digital world. The precision, the immediacy, the control — they all felt empowering. Yet somewhere along the way, it became too predictable. Every photograph appeared perfect, but it lacked the quiet imperfe

Large-format photography is not just about using a bigger camera or film size — it’s about slowing down enough to truly see. It invites a kind of stillness that modern photography often rushes past. The inspirations for working in this format are not limited to technique; they emerge from the deeper relationship between the photographer, the subject, and the passing of time. Rediscovering the act of seeing With a large-format camera, seeing becomes deliberate. You compose o