top of page
Articles
My entry into printing: Botanical toning of Cyanotype
Blue was only the beginning. The print still had more to reveal through water, chemistry, and time. When blue no longer felt enough Right after returning from the UK and making my first cyanotype prints in India, I was eager to explore every possible variation within the process. The blue itself fascinated me. Watching an image emerge slowly through chemistry, ultraviolet light, water, and time already felt transformative. Yet during my workshops in the UK, I also briefly enc
5 min read
My entry into printing: Cyanotype
Before I understood cyanotype, blue was just a colour. Now, it feels like a memory slowly appearing on paper. When the photograph still felt unfinished There came a point in my photographic journey when I realized that making the image was not enough. I was developing my films, scanning them carefully, and spending time understanding the negatives. Yet, even after all of that, it felt incomplete. The photograph still existed behind a screen, distant from the physicality I had
6 min read
My entry into printing : When a photograph becomes complete
What if the photograph isn’t the final step? And what if some images don’t end when they are taken? What if you want to feel the image- the subtle, happy feeling of holding an image? The beginning: capturing everything My journey with photography did not begin with printing. It began, as it does for many of us, with a digital camera and an eagerness to capture everything that moved me. In those early days, I photographed freely. Anything that caught my attention became a fram
4 min read


Kintsugi and the way I understood
Why did a place marked by destruction feel so complete? Why did what remained feel enough? I did not have an answer then; I only continued to return. Hampi was, at first, just another place with ruins and sculptures. It was a landscape of stone, history, and remnants of what once stood complete. Yet, it continued to be worshipped, lived in, and carried forward by the people who called it home. That contrast stayed with me. It made me curious. My journey with Hampi began more
4 min read


Oubaitori and the way I grew
I didn’t begin photography with a plan or a direction; I simply followed what felt natural, not realising I was already walking a path that was entirely my own. Before I knew what I was doing In 2011, a friend handed me her camera and encouraged me to take a few photographs. That moment stayed with me. I photographed whatever caught my attention—random scenes, passing moments, fragments of everyday life. Some images had intention, most did not. But after a few frames, I reali
4 min read


The beauty of imperfection: Wabi-sabi in photography
What I once tried to fix in my photographs became the very reason I returned to them. When perfection defined the frame There was a time when I believed a photograph had to feel perfect and complete, balanced in composition, sharp in detail, and precise in execution. I searched for clarity in every frame, as if the purpose of photography was to arrive at something resolved, something unquestionable. I would adjust, reframe, and wait, trying to align every element, believing t
4 min read


Hampi journals: My typical day as a photographer
A day in Hampi doesn’t begin with the camera. It begins with awareness. I wake up before the first light hits across the boulders.
3 min read


Hampi journals: Where it began
I still remember the first time I came to Hampi in December 2013. It wasn’t a planned journey. It was curiosity, more than anything else. I had a camera, but I didn’t quite know what I was looking for. I was drawn to the scale of the place, the stories everyone spoke about, the monuments that stood like markers of time. I came here as a hobbyist. I left with questions I didn’t yet understand. The stone chariot was where I stood the longest that day. Like most first-time vis
3 min read


Why I return: The places that grow with me
Some places ask you to come back — not for what they show, but for what you become each time you stand there again. Here are ten reasons why I return to the places I visited.
6 min read


Into the grain: My entry into analog photography
There’s a strange calm in knowing that you won’t see what you’ve made until much later. Here's my reflection on slowing down to see again — through the grain, the wait, and the wonder of film. When certainty felt too easy For more than a decade, I lived comfortably in the digital world. The precision, the immediacy, the control — they all felt empowering. Yet somewhere along the way, it became too predictable. Every photograph appeared perfect, but it lacked the quiet imperfe
4 min read


Listening to the wetlands: Learning to see at Mangalajodi
Sometimes a place calls not through glossy photos or bold headlines, but through a quiet pull you can’t explain. That was Mangalajodi for...
3 min read


Where the land fades into the ocean: Rameshwaram and Dhanushkodi
There are moments in life when the noise inside you grows louder than anything the world can offer. Just after the second wave of COVID,...
3 min read


Through my lens: A decade of discovering Hampi's timeless ruins
Have you ever felt a pull toward places steeped in history, where every stone has a story to tell? When I first learned about Hampi, I...
4 min read


Expressing in black-and-white
What is a photograph? A photograph is but an expression of the inner workings of our thoughts and emotions. When one's deep thoughts are...
3 min read


Bharatpur chronicles: A journey into black-and-white revelation
Bharatpur, the revered Birder’s Paradise, was a destination I had dreamed of exploring for years. As a wildlife enthusiast, my journey...
3 min read
bottom of page